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Concert Reviews: ALEX SKOLNICK TRIO at Herr Nilsen (Oslo, Norway)

Posteado en Inicio el 5 d-03:00 May d-03:00 2019 por RISE!

ALEX SKOLNICK TRIO at Herr Nilsen (Oslo, Norway)

Wednesday, March 27, 2019

by Jorge Patacas

 

On March 27, the legendary Testament guitar player, Alex Skolnick, arrived in Oslo with his Alex Skolnick Trio project, which also features Nathan Peck on bass/double bass and Matt Zebroski on drums. The event took place at Herr Nilsen, a small Jazz club located in front of the court where Varg Vikernes was sentenced in 1994.

For those who are not familiar with Alex’s side project, it was formed in the beginning of the last decade after he developed his passion for Jazz studying and obtaining a degree at the New School for Jazz & Contemporary Music in New York City.
As part of the tour for their fifth album “Conundrum” (2018), the band showed all their virtuosity in front of both Testament and Jazz music fans. In a relaxed atmosphere, while the audience had a drink on the cold Wednesday night, Alex and his band played a setlist that included everything. They started with two pure Jazz compositions, “Unbound” and “Culture Shock”, both featured in their latest effort with a very good response. Then it was time for a very different version of Aerosmith’s classic, “Dream On”, adapted to the style of the trio, and then set out to play Funk in a song dedicated to the late pop icon Prince. But Skolnick’s versatility when playing all these different styles would not end there, since next one was “Django Tango”, which is, as its name indicates, a tango dedicated to the historical Jazz musician, Django Reinhardt, a song that was included in his solo album, “Planetary Coalition”, released in 2014.
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Concert Reviews: MYRKUR at John Dee (Oslo, Norway)

Posteado en Inicio el 21 d-03:00 December d-03:00 2018 por RISE!

MYRKUR at John Dee (Oslo, Norway)

Opening Act: JO QUAIL

Tuesday, November 4, 2018

by Jorge Patacas

 

Since the release of her first self-titled EP in 2014, Myrkur, the project of the Danish multi-instrumentist and actress Amalie Bruun, has been acclaimed and at the same time criticized with prejudice and without any serious foundation just for the fact that she included Black Metal parts in her music, because she didn’t play this kind of music before. Despite those detractors with unfounded prejudices, “M”, her debut album released by Relapse Records in 2015 had a lineup actually linked to Black Metal including Teloch of Mayhem on guitars and Øyvind Myrvoll of Nidingr on drums. The album was also produced by the great Kristoffer “Garm” Rygg of Ulver. It’s a fact that with each new album (she just released an EP called “Juniper”), Bruun makes clear that she has a lot of talent both on the songwriting and performance, covering a broad spectrum of sounds, which has Scandinavian folk roots that are perfectly combined with her incredible ethereal voice, the use of traditional instruments and atmospheric Black Metal passages. This results in a unique formula that has taken the metal scene by storm. As part of her European tour, she performed with her band on November 4th at John Dee venue in Oslo, Norway, and it was the first time I had the opportunity to see her live show, so the expectations were high.

As a side note, Sigurd Wongraven AKA Satyr (vocalist for Satyricon) showed up minutes before the doors were opened. He was going to attend the show, so we talked for a couple of minutes and he clearly remembered the only show that Satyricon played in Uruguay back in 2011.
The doors were finally opened at 7:00 pm, and one hour later, the British cellist Jo Quail appeared on stage as the opening act. She was there alone with her cello and some recorded tracks and managed to catch the attention of the audience that almost filled the venue. Quail has released three LPs, three EPs and a live DVD since she began her career in 2010. For this forty-minute performance, she chose four long songs, each of them having a previous introduction and explanation of what had inspire her at the time of writing them. Even though these are instrumental compositions, topics such as night or the power that water has over humanity are some of the inspirations of Quail at the time of writing her pieces which are hypnotic at times, while others have both quiet and loud passages, ensuring the applause and the good reception of the audience.
Just fifteen minutes after the end of her show, the lights went out and the musicians of Myrkur (which means “Darkness” in Icelandic, by the way), began to come out one by one on stage, including Jo Quail again on cello.
The setlist was split in two parts, starting with a purely folk acoustic set with five musicians on stage apart from the vocalist, who surprised us with a powerful voice, even with some acapella passages that left everyone astonished. “Bonden og Kragen”, from her last EP, “Jenta”, “Flickan”, “Ramund”, “House Carpenter” (first English song of the night) and “Himlen Blev Sort” were included on the first half of the set, which concluded with a Nyckelharpa (Swedish traditional string instrument) solo by Myrkur herself.
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